FriFlo wrote: ↑Sun 6 May 2018 20:33
How low is that in terms of morality and even just correctness? With that reasoning you completely abandon the concept of right and wrong, as you will always find a way to shut down any critical reply to wrongful actions. I suppose, no politician, no powerful person can ever be called out for lying, as there is always a way to ecplain, why it was only a white lie ...
That's another major widespread problem : the way the majority kneels before successful and powerful people, how this guy never considered my personal feelings, the way I was treated...no, he said, he didn't care about that, the only thing that matters for him is : what I'm thinking about his god...
He showed support and empathy towards a celebrity but none for someone unknown...claiming to defend the poor victim of my hatred...classic. The way I was treated was normal, it happens often on the internet he said...but responding to this madness is not natural, it's out of proportion, I'm crazy, narcissistic etc.
Our world is sick, very sick
Kyle Judkins wrote: ↑Sun 6 May 2018 20:54
He's only admitting HZ didn't tell the truth because you can't get banned from Vic here
Of course
Kyle Judkins wrote: ↑Sun 6 May 2018 20:54
That said I think Sam's intent on exposing this is to destroy Hans Zimmer, when in reality I think it's more or less making sure people have realistic expectations, and that orchestrators an additional composers get the credit they deserve
Yes but it's more about making sure some people have a right consideration of what an orchestrator/additional composer can bring rather than the credits themselves.
I don't think there is any problem with the credits, but only with the way they are perceived and minimized.
Especially when the main composer himself claim that he wrote every single fucking note correctly and that no one should try to know who did what because the only thing that matters is the "architect"...
Kyle Judkins wrote: ↑Sun 6 May 2018 20:54
Forgive me if I'm wrong I'm pretty sure Sam does some of that work himself, which would explain why he might have a bit of a grudge against a composer willingly taking credit for someone else's accomplishments
Even if I find HZ's claim quite disrespectful towards his collaborators :
"I wrote every single note, that's why it's all that good" ...the main problem was never about the credits but about what HZ pretended to be able to do alone.
As I said, I think HZ involuntarily misleads the young composers.
During these 20 days, I talked with someone who didn't understand what I was talking about when I tried to explain him the considerable knowledge requiered to write for a symphonic big band, someone who seemed to be disconnected from reality, someone who pretended being able to orchestrate
without help and serious (self)learning almost everything while claiming at the same time that his style is determined by his limitations.
So, it's all about the image HZ projects to the world.
I am not trying to put him down but only to present reality exactly as it is.
If I was a malicious heartless man, i would never have contacted him to find an elegant way to put an end to this.
Concerning my motives, everything is exposed very clearly, but it seems that the more I want to be clear and straightforward, the more some people wants to attribute me malicious and perverse intentions :
My main goal is to show how one can be insulted, defamed, demonized and censored for only having told the truth.
I want to show the ugliness of double standard, because I believe some people will maybe wake up and realize that something was wrong, not the majority of course, but I think it's worth it.
Anyway it was out of the question for me to leave this injustice unanswered.